Grayzone’s Ben Norton looks at the sizable role the Pentagon played in the production of the hit Hollywood film Captain Marvel, and how the blockbuster film is being used spread recruitment propaganda.
The US Army provided such extensive support for National Geographic’s drama, The Long Road Home, that the series likely could not have been made without Pentagon approval.
The National Geographic drama series, “The Long Road Home,” tells a version of the story of the battle for Sadr City in 2004, a key moment in Iraq War, and newly-released emails and other documents from the United States Army detail the extensive military support for the TV series and how the Pentagon repeatedly bent its own rules on providing
There is no doubt the Department of Defense (a.k.a. the Pentagon) has encouraged the militarization of popular culture and is pro-actively seeking further influence in Hollywood.
As the co-authors of National Security Cinema, we have become known — rather inaccurately — for encouraging two major ideas: 1. That the government is really important in making movies more militaristic. 2. That Hollywood doesn’t produce dissenting films. While the first of these is somewhat true it is a simplification, the second is a
An exclusive Grayzone investigative documentary rips the cover off of the most sophisticated and expensive campaign of humanitarian interventionist propaganda in modern history.
For decades, Western governments, corporate media and Hollywood have engaged in a project of mass deception to manufacture consent for military interventions. Waged in the name of lofty ideals like freedom, human rights and democracy, US-led wars in Iraq, Afghanistan and Libya wound up bringing death, destruction and even the return of slavery to
The average movie watcher might be in for a shock at what films are actually included, garnering the military industrial complex’s propaganda touch, like Earnest Saves Christmas, Karate Kid 2, The Silence of the Lambs, Twister, the Iron Man movies, and more recently Pitch Perfect 3.
A year ago we featured a detailed report by authors Tom Secker and Matthew Alford exposing just how vast the Pentagon and CIA programs for partnering with Hollywood actually are, based on some 4,000 new pages of formerly
The FBI claims that it has much to offer entertainment producers and touts several items as services it may choose to provide: “guidance” on content about the FBI’s investigations, procedures, structure, and history.
Journalist Jason Leopold obtained hundreds of documents through a Freedom of Information Act lawsuit that further reveal how the FBI relies upon movies and television to bolster its image. In a report for Buzzfeed, Leopold and Ariane Lange write, “Over the past
Hollywood is no stranger to war propaganda but the U.S. Establishment saw no need to wait for an actual war before sending Morgan Freeman out to tell Americans that they “have been attacked” and are “at war” with Russia–whose sin has been an “attack” on the U.S. petrodollar.
On Tuesday, Russian President Vladimir Putin dealt another blow to the flagging petrodollar system – a crucial component of U.S. economic “superiority” that creates artificial demand for the U.S. dollar by pricing oil and other goods on the international market in that currency. Putin
